June 08, 2026

My First Day as an Advocate: How a Career Setback Became a New Beginning

Today was my first day as an advocate at a new company. It was a good beginning and an even better end to the day.

When I left my previous company, I thought I was taking a step backward in my career. I wondered whether I would ever again have the opportunity to work under such a learned and experienced MD. At the time, I told myself that I would work on a few projects and then move to a company closer to my home.

Life, however, had different plans.

Today, as I completed my first day in my new role, I realized that what once seemed like a setback was actually the beginning of a new chapter. The experience I gained in my previous organizations, the guidance of remarkable mentors, and the unexpected turns along the way have all brought me to this point.

Sometimes, the paths we do not choose end up choosing us—and they take us exactly where we need to be.


Thanks for stopping by.
See you in the next read!

...Anu



Spill. Stir. Stay tuned As Not all drama belongs in court.


#NewBeginning #NewRole #AdvocateLife #CareerJourney #ProfessionalGrowth #LawLife

April 28, 2026

From “Don’t Sit Here” to “Let’s Eat Together

Celebrating our cute HR’s birthday — and with her, our adorable Shashi Amma.

In India, this invisible divide is almost normal—so normal that no one pauses to question it.
She works in our home, but she cannot eat with us. She cannot use our washroom. She cannot sit on the chair. There are always these unspoken rules—quiet, firm, and deeply ingrained.

Then life took a turn.

I started working at Fujitsu, and for the first time, I experienced a completely different world. There, calling your senior “sir” was not the norm. People addressed everyone by their names—even the VP.
It was a cultural shock. For me, respect had always meant distance, formality, and hierarchy. But here, respect looked different—more equal, more human. The day I called my senior by his name for the first time, it felt unfamiliar… almost uncomfortable.

Years passed.

And now, nearly two decades later, I find myself in another workplace—another shift, another quiet shock. Here, hierarchy dissolves over lunch. It doesn’t matter whether you are a security guard, a maid, an office boy, a PA, or the finance head—everyone sits together. Food is shared. Conversations flow. No one is “above” or “below” at that table.

And I pause.

Because somewhere between “don’t sit here” and “let’s eat together,” lies a story—not just of workplaces, but of society, of conditioning, of how we learn what respect means.

Maybe the real question is not what culture is right or wrong.
Maybe it is this—how far are we willing to evolve?

Because the world is changing… and so are we.



Thanks for stopping by.
See you in the next read!

...Anu



Spill. Stir. Stay tuned As Not all drama belongs in court.


#DillyDallyBlog #SocialChange #WorkplaceCulture #EqualityMatters #IndianSociety #CulturalShift #RespectForAll #HumanDignity #CorporateLife #RealStories #ChangingIndia #Inclusion #LifeLessons

March 13, 2026

Court Diary: A Day at the RERA Court

Today I had to appear before the Telangana Real Estate Regulatory Authority (RERA) Court to represent two civil matters. After a long gap of almost one and a half years, this was my first visit to any courtroom, which made the day feel even more significant.

The RERA Court is located in the Lakdi Ka Pul area. To reach there on time, I left home early at 8:00 AM and first went to the office. At the office, the initial task was to print the counters and get them signed by the respondent. Once the documents were signed, I scanned them and arranged the required sets.

For each case, I prepared three sets of the counter for filing and one complainant copy. Since there were two cases, I printed six sets for filing plus two complainant copies, ensuring that every procedural requirement was fulfilled.

After completing the documentation, I booked a Rapido ride around 10:00 AM and headed toward the Directorate of Town and Country Planning (DTCP) Building, where the RERA Court functions.

The building has a simple but structured arrangement:

  • Ground Floor – Document Inward Section
  • Second Floor – RERA Courtrooms

Upon reaching the second floor, the first thing I checked was the cause list. Our matters were listed as Case No. 44 and 45, clubbed together as a batch, and the total cause list had 53 matters across 10 batches. Our batch was the second last, so it meant a long wait.

As the bench began calling out the cases one by one, we waited patiently for our turn. When our batch was finally called, we approached the bench. In both matters, we were appearing as respondents, and this was our first appearance in these cases.

I informed the bench that we were present to file the counter affidavit on behalf of the respondent. Following the procedure, we handed over one copy of the counter to the complainant and requested them to acknowledge receipt on another copy.

At this point, one of the complainants tried to act a little over-smart. After receiving the copy, he said that we should explain the contents of the counter right there so that both the complainants and the judges could understand our defence against the allegations raised in the complaint.

However, before the discussion could escalate, the presiding judge intervened and calmly clarified the procedure. The judge explained that since the complainants had filed the RERA complaint, the respondents had now filed their counter affidavit duly supported by an affidavit. The proper course for the complainants was to read the counter carefully and file a rejoinder addressing the points raised in the counter.

The bench then fixed the next date of hearing as 16 April, directing the complainants to file their rejoinder by then. After this explanation, the complainants finally understood the process.

Since one member of the bench was absent that day, the court was functioning with two judges instead of the full bench. Perhaps sensing some hesitation from the complainants, the judges directed them to sign the acknowledgment copy outside the courtroom.

This signature was important because without proof of service, the counter could not be formally placed on record. Once we stepped outside, the complainants signed the copy with a note confirming that they had received the counter filed that day.

However, a small procedural problem arose. Because we had stepped out to obtain the signature, we could not immediately submit the remaining sets to the bench clerk for filing in the case record.

To resolve this, we explained the situation to the court bell boy, who suggested that we could submit the documents to the ground floor document inward section. When we went there, the staff asked for an additional copy of each case to return as an inward acknowledgment.

Unfortunately, we did not have extra copies with us. Considering this, we decided it would be better to wait and submit the documents directly to the bench clerk after the hearings concluded. Interestingly, one of our classmates who was undergoing training as a bench clerk also advised us to do the same.

So we went back upstairs and waited. By then, the 51st case out of 53 was being heard. Within about 10 minutes, the final matters were completed and the judges rose from the bench.

At that moment, we approached the bench clerk and successfully submitted the counter affidavits for both cases to be placed on record. Before leaving, we also reconfirmed the next hearing date — 16 April.

And that was how the day unfolded in the RERA Court.

Lesson learned

Always carry one or two sets of the documnets extra.




Thanks for stopping by.
See you in the next read!

...Anu



Spill. Stir. Stay tuned As Not all drama belongs in court.


#CourtDiary #RERACourt #LegalPractice #CourtroomExperience #LitigationLife #LegalBlog #LawyersLife #RERALitigation #RealEstateLaw #CourtProcedure #LegalJourney #IndianLegalSystem #AdvocatesDiary #LawAndPractice #CourtroomStories #LegalProfession #LawStudentLife #LegalInsights #CivilLitigation #KnowYourLaw #RERAIndia #RERAHyderabad #RealEstateRegulation #HomebuyerRights #PropertyLaw #DTCP #RealEstateDisputes

March 07, 2026

पिंक टैक्स: बड़ा महंगा पड़ा गुलाबी रंग!

दुकान में एक दिन बड़ा दिलचस्प दृश्य देखने को मिला। शेल्फ पर दो रेज़र रखे थे।
एक नीले रंग का — मजबूत, सादा और “पुरुषों के लिए”।
दूसरा गुलाबी रंग का — थोड़ा चमकीला, थोड़ा स्टाइलिश और “महिलाओं के लिए”।

दोनों को हाथ में उठाकर देखा। आकार लगभग वही, काम भी वही। फर्क बस इतना कि एक नीला था और दूसरा गुलाबी।

लेकिन असली कहानी तो कीमत के टैग पर लिखी थी।
नीला रेज़र थोड़ा सस्ता था, और गुलाबी वाला… थोड़ा महंगा।

ऐसा लगा जैसे दुकान की शेल्फ पर कोई छोटा सा मज़ाक चल रहा हो।
मानो बाजार कह रहा हो — “अगर रंग गुलाबी है, तो कीमत भी थोड़ी खास होगी।”

लोग इस मज़ेदार लेकिन अजीब सी स्थिति को एक नाम देते हैं — पिंक टैक्स

अब नाम सुनकर लगता है कि शायद सरकार ने कोई नया टैक्स लगा दिया हो। लेकिन नहीं। यह कोई सरकारी टैक्स नहीं है। यह बस बाजार की एक दिलचस्प आदत है, जिसमें महिलाओं के लिए बनाए गए या उनके नाम पर बेचे जाने वाले प्रोडक्ट अक्सर थोड़े महंगे निकल आते हैं।

यह कहानी सिर्फ रेज़र तक सीमित नहीं रहती।
शैम्पू, डिओडरेंट, परफ्यूम, कपड़े, खिलौने — कई जगह यही गुलाबी रहस्य दिखाई दे जाता है। कभी पैकेजिंग अलग होती है, कभी विज्ञापन का अंदाज़ अलग। और कई बार कीमत भी अलग।

पहली नज़र में फर्क बहुत छोटा लगता है।
“अरे, बस कुछ रुपये ही तो ज्यादा हैं!”

लेकिन बाजार की यही छोटी-छोटी बातें धीरे-धीरे बड़ी कहानी बन जाती हैं।

कंपनियां कहती हैं कि यह सब मार्केटिंग का हिस्सा है — अलग डिजाइन, अलग पैकेजिंग, अलग प्रचार।
और ग्राहक सोचते हैं — “क्या सच में सिर्फ गुलाबी रंग की वजह से कीमत भी गुलाबी हो जाती है?”

खैर, बाजार की कहानियां भी बड़ी दिलचस्प होती हैं।
कभी-कभी वे चुपचाप हमें हंसाते भी हैं और सोचने पर मजबूर भी कर देते हैं।

इसलिए अगली बार जब आप खरीदारी करने जाएं, तो शेल्फ पर रखे रंगों और कीमतों को थोड़ा ध्यान से देखिएगा।

क्या पता, आपको भी उस गुलाबी पैकेज के पीछे छिपा पिंक टैक्स का छोटा सा व्यंग्य दिखाई दे जाए।


इस पोस्ट को अंग्रेज़ी में यहाँ पढ़ें:
👉 Pink Tax: The Little Price Secret on the Store Shelf !



चलते हैं फिर… अगले ब्लॉग में मुलाक़ात होगी।

तब तक के लिए, अपना ख्याल रखें, मुस्कुराते रहें, और हर पल को दिल से जिएं।

याद रखिए, ज़िंदगी अपने रंग खुद चुनती है — और हमें बस उन्हें अपनाना है।

…अनु


#पिंक_टैक्स#महिलाओं_से_ज्यादा_कीमत#बाज़ार_की_सच्चाई#उपभोक्ता_जागरूकता#लैंगिक_समानता#महिला_अर्थव्यवस्था#कीमत_का_रहस्य#बाज़ार_की_कहानी#सोचिए_खरीदने_से_पहले#उपभोक्ता_अधिकार#समाज_पर_व्यंग्य#हिंदी_ब्लॉग#दैनिक_गॉसिप#बाज़ार_व्यंग्य

Pink Tax: The Little Price Secret on the Store Shelf

Ever noticed something strange while shopping? You pick up two almost identical products from the same brand. One comes in blue packaging and is marketed for men. The other appears in pink packaging and is marketed for women. Then comes the surprising part — the pink one often costs a little more.

This quiet little mystery is popularly called the Pink Tax.

Despite the dramatic name, it is not a government tax. It is simply a nickname people use when products designed or marketed for women are priced higher than similar products meant for men.

It shows up in many everyday things — razors, deodorants, shampoos, perfumes, clothes, toys, and even services like haircuts. Sometimes the only visible difference is the colour of the packaging or the marketing message.

Yet somehow, the price tag often ends up being a little higher.

At first glance, the difference may seem tiny — maybe a few extra rupees here and there. But when these small price gaps repeat across dozens of everyday purchases, they slowly add up over time.

That is why people started talking about the Pink Tax in the first place.

Some people believe this is simply clever marketing. Companies design products differently, use different packaging, and promote them in different ways, which they say can affect pricing.

Others feel that when nearly identical products are priced differently just because they are aimed at women, it raises questions about fairness.

The Pink Tax is not something that always jumps out at you. It quietly sits on store shelves, hidden in colourful packaging and small price differences.

So the next time you go shopping, take a second look at the price tags. You might just spot this tiny but interesting market mystery yourself.


Read this post in hindi here: 👉पिंक टैक्स: बड़ा महंगा पड़ा गुलाबी रंग!




Thanks for stopping by.
See you in the next read!

...Anu



Spill. Stir. Stay tuned As Not all drama belongs in court.


#PinkTax #GenderPricing#MarketSatire#ConsumerAwareness#GenderEquality#PriceDifference#WomenAndEconomy#MarketingMystery#ConsumerRights#DailyGossipBlog#SatireWriting#MarketReality#ThinkBeforeYouBuy#HiddenCosts #SocialCommentary

January 03, 2026

A Tribute To Safdar Hashmi On His Death Anniversary: The Forgotten Legacy Behind a Doordarshan Song & a Bollywood Connection

Safdar Hashmi Tribute

Yesterday marked the death anniversary of Safdar Hashmi—a visionary of the people's theatre. If you're wondering who he was and what he stood for, let this stirring song from the archives be your introduction:
https://youtu.be/lzmYrCpawvg?si=DJ0cPR-vriFvln2a"

How many of you have heard this song on TV in your childhood?

It played every Sunday morning on Doordarshan—right before the cartoons, right before the whole family gathered around the TV.( I suppose, 80s & 90s kids will connect with this. For most of us, it was just a tune. We hummed it, we forgot it, we moved on.

But behind that simple melody stood a man whose life, art, and death changed the meaning of cultural resistance in India: Safdar Hashmi.

Why Should You Care? Let’s Talk to Gen-Z, Zen-Z & the ‘Apolitical’ Crowd

Some of you might be wondering:
“Why should a street-theatre activist from the 80s matter to me?”
Hmm… let me drop something interesting here.

Do you know who actor Hrithik Roshan’s current girlfriend is?
Yes—Saba Azad.
But what many don’t know is this:

Saba Azad is Safdar Hashmi’s niece.

Yes. The same Safdar Hashmi whose voice shaped an entire era of political theatre.
The same Safdar  Hashmi whose songs played on Doordarshan every Sunday.

The same Safdar Hashmi who was killed while performing a street play that questioned power.

History hides in unexpected places.
Sometimes the people we admire today carry the stories of those who fought yesterday.

Now read on—and you’ll see why Safdar still matters.

The Man Behind the Song, the Stage, the Struggle

Safdar Hashmi wasn’t just a name in theatre circles. He was the fire behind Jana Natya Manch (Janam)—a movement that took art out of air-conditioned auditoriums and placed it directly in factory compounds, labour colonies, village squares.

He believed art must disturb.
Must provoke.
Must awaken.

His plays spoke of wages, rights, dignity, women’s safety, state excesses—topics still painfully relevant.


1 January 1989: When Democracy Was Attacked on the Street

On that day, while performing Halla Bol for industrial workers in Jhandapur, Ghaziabad, Safdar Hashmi and his team were brutally attacked by political goons.
Imagine that.

A man performing a play—beaten for speaking truth in public.

Safdar Hashmi died the next day, 2 January 1989, at a very young age of 35..

But here’s the part every Indian should remember:

The very next day, Janam returned to the same street and completed the play.

That moment became symbolic—
not just of grief, but of resistance.

Why His Legacy Still Burns Bright

Today, when dissent is labelled “anti-national,” when art is told to be entertaining but never questioning, when young voices are pushed into silence—Safdar Hashmi's  life feels like a compass pointing towards courage.

He taught us that:

  • culture is not neutral
  • silence is not harmless
  • democracy must be rehearsed, performed, protected

And perhaps, that is why powers of every era fear artists like him—because they refuse to become muted decoration.

Safdar Lives Wherever People Speak Up

From college street plays to protest poems, from worker unions to political theatre groups—Safdar Hashmi's  shadow is still visible. Janam still performs. Students still study Halla Bol. And young actors still hold up his portrait during protests.

Safdar Hashmi's  theatre never belonged inside glass showcases.
It belonged to the street, and it still does.

As His Death Anniversary Approaches

This year, as 2 January came  remember:

Behind the Doordarshan song we loved…
Behind the political history we often ignore…
Behind the modern pop-culture connection you just discovered…
…stands a man who gave his life believing that truth must be spoken publicly and fearlessly.

The street remembers him.
Workers remember him.
History remembers him.

And now—
thanks to that one unexpected connection—
even the apolitical might pause and pay attention.